David Myhr - Soundshine

Soundshine on LP!!!

Posted: July 23rd, 2014 | Author: | Filed under: post | Tags: , , , , , , , , , , , , , | Comments

Good news vinyl fans! 

Just like that. Out of the blue! While you’re all out there lazing on all the sunny afternoons I am delighted to bring you a little surprise from the David Myhr record label head quarters at Lojinx, England. Soundshine is available as of TODAY on vinyl. Yes indeed! A real 33 13 rpm microgroove vinyl record. An LP (Long Play)! Get your copy now by clicking this link: http://ljx.cc/soundshine

Up until now I’ve been watching the whole vinyl revival thing from a distance. I’ve remained a digital guy, fascinated as I am with streaming services like Spotify. Having said that, there’s a particular magic about the old LP format that not even I can resist. It obviously has a lot to do with nostalgia. As a small kid in the late 70’s and early 80’s the LP was the medium on which I discovered music (alongside the cassette). I’ll never forget when my sister-in-law Agneta borrowed me her copies of The Beatles red and blue albums. Or how I went to the local record store and bought my own copy of Paul McCartney’s then brand new Tug of war. Not to mention browsing through my brother Niklas record collection discovering David Bowie, Neil Young, Cat Stevens, and other “hip and happening” artists (as you can see I was retro even as a twelve-year-old).
In a (very) old blog post I wrote about how I miss record stores and now the time has come to admit that I also miss the smell, the sound, and above all the look of the LP format. And finally, the longing after something “real” became so strong that I decided to put some hard-earned money into making a vinyl version of Soundshine in hope there’s at least a few people out there that just like me are looking forward to opening it up in the new format, to enjoy the artwork (now bigger than ever!), read the lyrics, the never-ending thank you list, the credits, and everything on the inner sleeve. (Stuff that seems to be completely forgotten these days but which for us music nerds is half the fun). And then to put down the needle and enjoy listening to something so old-fashioned as a “Side A”, flip it over, and then “Side B”.
The two last songs will differ from the digital version. The backwards mumbo jumbo at the end of “Icy Tracks” is gone and the never-ending outro of “Ride Along” is somewhat shortened. This is due to the physical limitations of the LP format. But funnily enough I think it (if possible?) actually may increase the listening experience.
Included with the album is a digital download in case you (just like me) don’t yet have your vinyl player set up. In other words you can still enjoy the packaging and hang it on the wall alongside your Nickelback, and Michael Bolton album covers (they’re the ones you’re supposed to mention when you’re being ironic, right?).
If you didn’t yet familiarize yourself with the album Soundshine from 2012 (see release blog post here) – please check out some quotes here.
I know you’re in the middle of your summer cocktail right now, but hey – a copy of this very exclusive edition is  just a click away at the Lojinx store for 15£ (including V.A.T.).
Peace and love!

Soundshine LP


“Never Mine (Abbey Road Version)” – Video premiere!

Posted: January 2nd, 2013 | Author: | Filed under: post | Tags: , , , , , , , , , , , , , , | Comments

What “a day in the life”! Recording at ABBEY ROAD STUDIOS!!!

I have always loved the Beatles. And I will surely do ’til the day I die. One of the biggest highlights in my “Beatles career” (update: THIS was bigger!!!!) was to be able to spend a day in legendary Studio 2 at Abbey Road to record an alternate version of my song “Never Mine” which is the opening track of my debut album Soundshine. Check out the video and continue reading below for full background story.

Since my first visit to London back in 1990 I have never missed the opportunity while in town to visit the famous crossing at Abbey Road. But until 2011 I had never been able to actually enter the building. It was in May when I did it for the first time since I (in a strike of megalomania) had chosen this legendary place for the mastering of Soundshine. Read more about this occasion in this blog post.

Little did I know then that the doors would open for me again only six months later, and this time to RECORD in frickin’ Studio 2!!! Yes, THAT studio…!

How that came about  – from out of the blue – is something you are more than welcome to read about in this blog post from Nov 2011.

I wrote then; “today we’re not here to try to change music history but more to study the process of how music history was made from within the actual room were a big part of it was created. I hope to be able to share the result with you sometime in a not too distant future”. That distant future is NOW! Almost fourteen months later…! The reasons for the delay are many. One being that Thomas Juth who took the initiative (which I will be forever grateful for!) is a highly demanded sound engineer in London and therefore hasn’t been able to find the time to work on the mix from this little “hobby project” (although very close to his heart). Thomas is a really sweet (and also cool) guy who has worked with many great names and I mean GREAT(!). Read more about his impressive track record on his own home page.

Also I have been quite busy myself with the activities surrounding the release of Soundshine as well as the post production of my live show at PDOL And like so many others, I also happen to have a “real job” to take care of. (What I do for a living is something I talk about in this interview from Hooks and Harmony).

However, when I was asked to be part of a free download sampler (yes that’s where you’ll find the song I’m talking about here!) released by the music blog Real Gone  (who by the way made a really nice review of Soundshine here) I decided it was time to have a proper mix made. The mix is a combination of Thomas Juths ground work and Soundshine engineer Marcus Black’s fine adjustments.

I really wanted to be able to offer a video clip as well but there was no time and no money (as always…). But then Christmas came I and went to Spain with my wife to spend time with her family. And in between tapas, dinners, family life, and a gig at Festival Alta Fidelidad in Madrid, I finally found some time to take my first, stumbling steps as a video editor using Final Cut Pro X. And with the very little rough material I had from my iPhone standing on a tripod (and a couple of other cell phones in the room) I’ve tried to make a little video documenting this very special moment.

It was really a day in paradise for us Beatle geeks and we spent more than half of the precious ten hours staring at Beatles microphones and Beatles compressor and that kind of stuff. The recording became kind of secondary and something we really did “just for fun”. Considering all this I’m really happy with the final result. It’s obvious that we do not hide our love for the Beatles in the way it’s produced and played. And that’s also my reason for not releasing it on Spotify or iTunes or on CD. As much as I love the Beatles, and to play their songs, I don’t want my own stuff to be TOO Beatlesque and end up being categorized next to The Rutles.

To put even more weight into this occasion I decided to write a little piece of lyrics for this world premiere:

It was fourteen months ago today

Thomas Juth invited me to play

To try to recreate the Beatles style

was guaranteed to raise a smile

So may I introduce to you

The song you’ve known for just a year

David Myhr’s “Never Mine” in Abbey Roooooooooooaddd….

Hope you enjoy the video and the free download of the song! I look very much forward to your comments both here on the blog, on my YouTube Channel, and on my Facebook Page.

A splendid time is guaranteed for all!

Abbey Road photo

Special thanks to Thomas Juth and his brother Fredrik Juth (who played bass and drums) for inviting me to this very special occasion. Thanks also to Michael Bianco, Dyre Gormensen who were part of the recording process. And to Andrew Campbell at Lojinx who co-ordinated the Real Gone release. To Amy Campbell for shooting some nice photos (including the one above) at Abbey Road. And to Henrik Irgens and my wife Paula who also made the day even more pleasant through their sheer presence.