The time-travel themed narrative is partially set in 1973 and for this composer Jimmy Lagnefors was hired to create a soundtrack authentic to the period. When the director specifically requested a song that “sounds like Electric Light Orchestra” Lagnefors brought in songwriter/artist David Myhr to collaborate.
Myhr, with his background in the 90’s power pop combo The Merrymakers and, in particular, his 2012 album Soundshine (Lojinx), has demonstrated a knack for creating fresh, modern, pop music with roots firmly in the classic tradition of McCartney & Lynne. It was no surprise that Myhr jumped at the chance. (Read more about David’s relation to Jeff Lynne here).
Lagnefors and Myhr were also behind the song “Vänta inte på mig” (“Don’t wait for me”) in last year’s Swedish box office smash Micke & Veronica. With the new song ”Spellbound” the songwriting duo has managed to create “”the song that E.L.O. never made”. It features heavily in the film and plays when the credits roll.
On the days when I’m not active as an aspiring pop star (which are many!) I attend my day job as a senior lecturer at Musikhögskolan i Piteå (The School of Music in Piteå) under LTU (Luleå University of Technology). (See my staff profile here). It’s a job where I get the opportunity to coach young and talented songwriters, teach music business knowledge, and try to build ”bridges” between the students and professionals within the music industry. As a part of my job, I also conduct artistic research as a doctoral student where I deal with a great passion of mine – the process of making melodies.
My project is called Pop into my head – The making and shaping of melodies in popular music. To be able to take a closer look at the process I’ve documented (on video and audio) the actual moment of the making of a bunch of melodies. For this purpose, last year (February 3-18, 2015), I made a research trip to Los Angeles, Nashville, and New York where I had the great pleasure of working with some of the writers that have inspired me with their work. In L.A. I worked with Linus of Hollywood (known from the Melody & Madness tour) and Lojinx stable mate Blue. (See Facebook video blogs: Hello from L.A on a sunshiny day… and Video blogging from the car…).
After Nashville I finished the trip in New York where I wrote with Scott Klass (The Davenports), Danny Weinkauf (They Might Be Giants) (which, surprisingly, resulted in this kids song), Steve Schiltz (Long Wave, Hurricane Bells) and Young Hines (although in his case it was an on-line collaboration). (See Facebook video blogs From the streets of New York, From the SKAP apartment in New York).
The great news is that from these session a bunch of new songs for my FUTURE SECOND ALBUM was written!!! More about this (including yet another bunch of link video blogs) in a blog post coming soon!
Here’s a few pictures from the co-writing trip (including one of me and Steven Tyler of Aerosmith fame at Nashville airport, who I unfortunately didn’t get the chance to co-write with…)
Graham Nash is one of my all time favorite artists. I love his amazing (often high) vocal harmonies in the Hollies, and then later in Crosby, Stills, Nash & Young. But also his wonderful songs! “Our House” just to name one classic that easily can move me to tears. But what I love most about Graham Nash is his solo debut album “Songs for beginners” from 1971. My brother Niklas had it on vinyl and when The Merrymakers used to start coming to Stockholm in the early 90’s we always (always!) played it at every after party we ever had. And since then I’ve always come back to the record. We also included it in the booklet of “No Sleep’ til famous” as one of the ten “other compact discs that will give you guaranteed listening pleasure”. Make sure though, if you check it out on Spotify for instance that you avoid the 2008 Stereo mix. It sounds terrible to my ears. (Almost as bad as when they remixed the great albums by ZZ Top from the seventies). So just follow this link and you’ll be fine.
In a few days I will be going on tour through three countries together with my friend, artist and songwriter colleague Linus of Hollywood! We call it the Melody and Madness tour 2015 (webpage here and Facebook-page here). It’s going to be an acoustic night of melodic pop where we play songs from our respective solo catalogues but also stuff from our former bands The Merrymakers and Size 14 as well as some carefully and lovingly selected cover songs. One of which is Badfinger’s “Come and Get it” (written by McCartney) that will be included on the very exclusive CD-single that we’ll be selling on the tour. (There will also be an exclusive T-shirt for sale – see photo below). On some of the nights we will have distinguished guests joining us on stage, like Peter Kvint (ex-Melony), Per Sunding (ex-Eggstone), Kurt Baker, and El Inquieto Roque.
Here’s Linus (and his dog Louie) explaining a little bit what it’s all about:
Followed by me explaining a little bit what it’s all about:
The tour schedule looks like this:
Aug 27 – Stockholm, Sweden – Waterfront Sunset (Loch & Quay) – feat. Peter Kvint (Melony) – FREE SHOW! (FB event here).
Aug 28 – Uppsala, Sweden – SOLD OUT living room concert
Aug 29 – Malmö, Sweden – Tambourine Studios – PRIVATE EVENT – email us at email@example.com if you would like to attend and we’ll see what we can do!
Less than a month after the video premiere of the Elvis Costello cover “Veronica”, it’s now time for yet another video premiere. This time it’s the recent singles B-side “Oh Susie” that has been honored with a video clip.
Maybe I’m amazed? No, forget maybe. I’m amazed! Here’s my story. I want to share it with you in case you just like me have had this dream for some time. I’ve been very thankful over the years for being able to listen to or read about any story about meetings with Paul McCartney (whether it has been one of my lucky friends or some famous person like Dave Grohl, Ozzy Osbourne, president Obama or whoever…). So this is my little contribution to the mythology of meeting a true legend. I met Bob Dylan in 1992 (which I will blog about some other time). And that was as high in the world of popular music as you can get. At least in theory, since he was the only person (except for Elvis Presley) that The Beatles themselves were dying to meet when they came to America back in 1964. But still – for me, and millions of other people around the globe, nothing beats meeting a Beatle! (As comedian Dana Carvey so well describes here). It will take a while to read so enjoy your favorite beverage and put on your choice of music on Spotify. You can for instance, just as a suggested starting point, choose between my solo debut album Soundshine or Paul McCartney’s second solo album RAM.
As everyone who knows me know very well… I breathe The Beatles. They are my religion. I was born in 1970, only some forty days before the Beatles officially broke up. My fascination with the band, however, began after the tragic death of John Lennon when I was only 10 years old. Already a month later I held my first “lecture” about the Beatles in school, and when I was eighteen, I went on national television in a quiz show on the subject. In 1994, my last year in university, I played and sang the role of Paul McCartney in an insanely ambitious project – the world premiere of Sgt Pepper Live. We performed the whole album both in a choir version and in an original version featuring the three of us in The Merrymakers in the roles of John, Paul, and George. We ended up going on tour with an ensemble of more than 150 people from my hometown of Piteå, via Stockholm (with a show at Cirkus) to Liverpool’s Empire Theatre to perform for an audience including John Lennon’s first wife Cynthia and the mayor of Liverpool. In the preparations for the project I got to meet Beatles’ legendary producer Sir George Martin. We also did the whole Beatles tourist trip including visits to the barber shop at Penny Lane and Strawberry Field. I also got the opportunity to chat with Cynthia Lennon at the after-party, and I even signed autographs in the street the next day AS Paul McCartney. My little “hobby” had kind of gotten out of hand. (More about this Sgt Pepper Live project later in the fall since ”it was twenty years ago today”…)
Singing “Lovely Rita” at the Liverpool Empire Theatre in Liverpool, 1994.
Anyway, after all this I thought that it was time to prioritize our own music and so we did with The Merrymakers in the 90’s. (see me singing “April’s Fool” with the Merrymakers here). But as much as I tried to tone it down… the Beatles stayed with me and almost increasingly so. Apart from the enormous influence they’ve had on my own songwriting, musicianship, production and general attitude in life, little Beatle-related things always seemed to happen. I sang (again with The Merrymakers) ”No More Lonely Nights” on an American McCartney tribute album (check it out here), I give lectures every year about the Beatles at various institutions, I’m regularly making performances performing Beatles music in Sweden, Finland, and in Spain, from my one-man act ”The Living Beatles Jukebox” to being a part of bigger productions… and a couple of years ago it even led to me recording in the Abbey Road Studio! For full report and video from that exciting day see this old blog post. So… as you can see… I’m in full agreement with one of my other heroes, Tom Petty, on whom, like for so many others, The Beatles have had a ”great profound effect on my life” and the following words from him ring true for me as well:”I still think the Beatles [made] the best music ever, and I’m sure I’ll go to my grave thinking the same thing.”
So I met Sir George Martin, I met Cynthia Lennon, I even bothered James McCartney and Olivia Harrison to pose for “selfies” with me. And of course I have seen Paul McCartney live many times. Beginning in 1989 when I saw him twice in Stockholm (and once in London –I just couldn’t get enough!). And every tour since then that passed by Stockholm. And again in London a couple of times in later years. Every time it has been just as emotional and every time I have been so thankful that I have been able to see him in concert. And hey! Not to forget… I saw Ringo in concert too (at Gröna Lund in Stockholm)!!!
But yet… there was one piece of the puzzle still missing. I never got to meet a Beatle in person… I’ve been kind of “close”. And sometimes not so close. I remember for instance how frustrated I was when he was in my quarters on the island of Kungsholmen in Stockholm in the late 90’s when he wanted to get his mind off the loss of his very very loved “long-haired lady” Linda. Lovely Linda! So he came over to ”hang out” with some very loosely selected current songwriters and I thought, ”that should have been me! Or if not – at least someone really important like Benny Andersson of ABBA!” And then at The Royal Albert Hall in 2012 (where I bumped into Ron Wood!) I was kind of close to be able to attend a “meet and greet” afterwards through the help of a good musician friend of mine with some very important Paul-related connections. But it ended up with me circling around outside the arena for a couple of hours in the cold and finally not even seeing Paul’s exit from the building. I’m not saying it wasn’t worth the effort. But still… it didn’t happen then. And I kept dreaming (and I mean for real – and regularly – just ask my wife…). Until on the 31st of July, 2014, when it finally happened!
Through my work and my position as a senior lecturer in song writing and music production the School of Music in Piteå (my staff profile here), I had the wonderful opportunity earlier this year to go and see how they work over at the music department at LIPA (Liverpool Institute of Performing Arts) – the school that Paul McCartney is the Lead Patron for. Housed in the building that Paul himself attended as a young boy in the fifties. I was told that Paul traditionally attends graduation every year and I, being the open and straight-forward person I am, didn’t make any great attempts to hide the fact that I am a life-long, highly devoted Beatles fan, with one of my biggest dreams (well that’s a lie… it should be THE biggest dream) being to one day meet Paul McCartney in person. And to my great luck, it turned out they welcomed me as a guest to the event alongside people like Billy Ocean, and other leading figures in the entertainment industry.
So as if on auto-pilot I flew over to Liverpool, took in at the fab gear Hard Day’s Night Hotel (with John and George watching over my bed as you can see in picture below). I did my regular visit to Matthew Street, to the Cavern, and I even went to one of the pubs John, Stuart, Cynthia and other art school people used to hang out at, the legendary Ye Cracke. But again… this is just the ”normal” touristy Beatles-nerdy stuff that anyone of the 600,000(!) people coming every year to Liverpool can do while walking in the footsteps of The Fab Four. (As Howard Sounes points out in his book FAB; “it’s a fact that, alongside that of Elvis Presley, the Beatles are now the object of the most obsessive cult in popular music”). All these things are really worthwhile (for true fans) and great fun and very emotional… but still…. nothing beats meeting Beatle Paul himself… so here’s my recollection of what actually happened:
The two Beatles that sadly no longer are with us are watching over my bed at Hard Day’s Night Hotel.
I attended the graduation ceremony which turned out to be an enormously well executed event by LIPA. The 280 students nicely lined up on stage sporting their traditional academic regalia and a whole auditorium filled with parents, family and friends from all over the world. And suddenly, accompanied by pompous music, in comes a procession with Paul in the lead together with Mark Heather-Featherstone-Witty OBE, Founding Principal and Chief Executive of LIPA. And after them, all of those who were to become LIPA Companions including (most importantly to me) the ”not the son of Phil Spector” (as he puts it himself in his Twitter bio), but rather the son of Sir George Martin, the very talented and highly successful Giles Martin. Paul was in the building! And he looked fresh, fit, smart, stylish and as much of a superstar as he always has been. Such an exciting moment! He was kind of half-dancing his way through the audience as he passed me by only a few metres away from where I was sitting on row 4. Once he reached the stage, he was put in the center where he remained for another three hours. Yes, three hours. It might sound long for a ceremony but it was highly entertaining to see when Paul shook hands and posed for pictures with each and everyone of the graduating students as they got their diplomas. All of the LIPA Companions also held very inspirational and funny speeches to the graduates giving them advice about how to make it in the tough business of performing arts. Sir Paul himself offered his own guidance in his speech at the very end. He joked students should ignore what they had learned from tutors and said his advice was to “be yourself”. As Liverpool Echo reported in this article he said: “I just love to come here and see this amount of talent, this amount of hopefulness, the spirit, about to be launched into the world. Just go out there, be wonderful and be yourself.”.
After the wonderful graduation ceremony at LIPA.
What was even better was that I, as LIPA’s guest, was invited to a private reception after the official ceremony. This was an unbelievable honor, and something that I will be forever grateful to LIPA for. I didn’t really know what exactly to expect from this occasion. A ”meet and greet” that maybe, maybe… maybe… would include Sir Paul himself… and lo and behold, only minutes after I arrived myself and was served a glass of champagne, there he was! In the same room. Starting to mingle around and greet people and exchange a few words here and there. Basically doing the same thing as everybody else. Very early on I realized that Paul has a LOT of other VERY important people to say ”hi” to so I kept a low profile enjoying my vegetarian (what else?) egg and mayonnaise sandwich while at the same time enjoying the beautiful view of the river Mersey. All the time thinking to myself: Well… here I am. Little David from Piteå, Sweden, with my little career in pop music… and over there… there’s this other guy. Big Paul from Liverpool, England, with the biggest career ever in the history of show business. The most successful songwriter of all times. But we were both there. Just mingling.
Collage by http://jlghrspm6470.deviantart.com
And then… suddenly…. before I knew it… a woman took Paul aside and they started to walk right in my direction. Towards me!? It took a split second to realize that they were actually heading towards an older couple that was standing right behind me. And on his way over… (this is where my memory is starting to ”black out”) Paul ”saw me standing there”. Alone. With a dumbfounded look on my face. (My champagne glass strategically put on the table beside me in order to keep my hands free for any eventuality). I was obviously not able to look elsewhere as he approached me. And on his way to the people just behind me he suddenly reaches out his hand to me saying “-Hey! How are you, man…?” (or something similar) as he might be thinking ”well this guy here doesn’t seem to have anyone to talk to – and since he’s here in the first place, he probably wouldn’t mind shaking hands with me so why not….”. Or something like that.Who knows what he thought…. anyway, he did reach out his hand. To me! And the realization that Paul McCartney was coming towards me with his hand reached out kind of freaked me out. (I remember reading a funny story when Meg Ryan’s sister was introduced to Paul in the 90’s and puked from her nervousness. So it could have been worse.) People who know me can attest that I am usually not a shy guy. Not at all. And if someone “important” is supposed to be approached, I always seem to have been the one who’s had to do it. But this… this was different. To me, it was like Superman himself would come out of the movie, or Napoleon from the history books, or something… reaching out his hand. It was JUST surreal.
I took him up on the invitation and shook his hand. That hand! The “I want to hold your hand” hand… the hand that invented the intricate fingering on the guitar for “Blackbird”. That performed the wonderful bass line on “Something”. That played ”Live and Let Die”… the list is endless. Mindblowing!
OK, so NOW was the time for my very well thought-through once-in-a-lifetime ”elevator pitch.” How many times during the last thirty years haven’t I been asked ”–What would you say if you ever were to meet Paul McCartney?” I remember for instance an after-show talk over beers almost ten years ago with some of my students. I made an impromptu dramatization of such a fictitious moment that lasted over five minutes including how I got nervous, things I said wrong, and so on… my students, laughed and we all concluded maybe it’s better if it doesn’t happen.
So, in the middle of the hand-shake my mouth started making moves intended to formulate something articulate, wise, tongue-in-cheek, and with a certain level of sophistication and catchiness at the same time in order to make Sir Paul interested in me, my life, my music ”career”, and what I had to say….
On my way over to England, I had not managed to decide on anything specific to say. The same way as when I teach or give lectures, or even go on stage. I very rarely know exactly what to say. Even though my intention always is to have it planned beforehand. Just like my brother Niklas Myhr on his way to his classes as a marketing professor in California I have a tendency to think: ”-It is going to be interesting to hear what I am going to say today”. Scary. But I’ve come to know myself and trust my instincts.
But this day… well… I can say it already. It didn’t work! In the back of my head, I’ve been thinking ever since the day I ”was Paul” in Liverpool in 1994 I’ve been considering saying something along the lines of: ”-Hey Paul! Incredibly great to meet you!!! You know, you really did change my life. For real! I know thousands of people have said that you over the years. But again, it’s really true! And you made me become a musician! And I’m very happy for that. It’s not that I’m very well-known or anything but back in the 90’s I had a band called The Merrymakers and we had quite a bit of success in Japan. I’ve gone solo now and have an album out on an English label called Lojinx. And another high point as a musician was when we did your masterpiece Sgt Pepper… live! From beginning to end. As close to the original as possible. With a full symphony orchestra. I sang your songs, man! It was fantastic to sing”She’s leaving home” with a string section. Loved singing”Getting Better”, ”Fixing a hole,” and ”When I’m sixty-four”…. the whole lot! And it was wonderful to be there! At the Liverpool Empire!!! It was where you played your last show ever in Liverpool with the Beatles in 1965, wasn’t it? And it was certainly a thrill! A memory for life! And here I am with you now! It’s crazy! By the way I was once called the ’Paul McCartney’ of Piteå (that’s where I grew up) in the local paper. And they even called me to ask for my “view” when you released ”Free as a bird”. Man, Jeff Lynne did a great job there, didn’t he? I really love Jeff! And… also, we once covered ‘No More Lonely Nights’ for a tribute record to the memory of Linda. Did you ever get to listen to that record? It was great. Neil Finn was on it! But whereas all the others chose your predictable 70’s hits, we chose your underestimated 80’s song. You know it really does have a wonderful melody…. uhmm… you should play it live yourself sometime… but anyway, man… thank you thank you thank you… for everything you have done… I love RAM… I love your first album McCartney… I love the Beatles. I love Wings. love all your stuff… thank you Paul!!!!”
Something like that was what I would have wanted to say (in lack of some wise comment that really could evoke his interest, whatever that would be… vegetarianism…. “Meat Free Monday”…. the pubs in Liverpool…?). But instead this came out (recollections from a black-out): ”–Hi…! Wonderful pleasure… to meet you…. I once did… Sgt Pepper Live…. twenty years…. here in Liverpool….. uhmmm…..”.
By which time. Paul was already heading past me. Towards the people he was actually going to say hello to (I later figured out that the woman who had taken Paul aside most likely had said: ”-You should meet my parents!”). He heard me fumbling with the words… and noticed that I wanted to express something… but being the professional he is… he had to prioritize… and in the end…. I think I heard him saying, as he turned his head against me one last time, something like ”cheers, mate!” And it was kind of a relief for me. Because I could stop looking for words. And instead just take a step back. Trying to realize what just had happened. I started to grab for my iPhone in order to maybe get some kind of discrete photo of him. (We had been kindly informed, since it was a private occasion, to not ask Paul to pose for photographs or ask for autographs, which itself was kind of a relief, instead of having to worry about selfies at the same time of a potential hand shake). As I was grabbing for my iPhone in my little bag I noticed my hand shaking considerably. When I took it up it kind of dawned upon me… that was it! It just happened! David… you just shook his hand! That was all you wanted! Relax!!! And already then. A minute afterwards it was already surreal. Did it happen? Yes. It happened!!!
So I took a deep breath. Went on with my champagne. I made a quick analysis of the situation. The highly entertaining founder Mark Featherstone-Witty was carefully guiding Paul through the meet and greet. He seems extremely passionate for the school and its students and had made a remarkable speech earlier about the importance of performing arts in academia. Mark came up to me and said hello and we exchanged a few words. And so did his lovely wife. I felt very well taken care of. A little bit further away some of the teachers were standing, including Martin Isherwood, the head of the music department, whom I was fortunate enough to have gotten to know a little bit through work. So I knew I had somewhere to go after this unbelievable moment. But still… there he was. Still only a couple of meters away. I could almost hear what he was saying to people but obviously I didn’t want to intrude. So in a last attempt to capture the moment forever, and to be able to show my grandchildren one day, I thought… Ok… I’m not going to ask him for a photo. But since other people were doing just that. I thought to myself. Well if they do… there shouldn’t be a problem if I take a photo of the photo shoot so to speak. And in these times of ”selfies” I thought I’d better make one. And I wouldn’t “mind” to have Paul in the background. So that’s what I did. And between us is the above mentioned Mark Featherstone-Witty. So with all the love and respect for everybody involved in this occasion and for those that made it happen. I want to express a very humble, and deep gratitude. Looking very much forward to finding ways of working together in the future!
Sir Paul McCartney, Mark Heather-Featherstone-Witty OBE, and David Myhr.
Afterwards… well… what can I say… I was deeply moved by the occasion. Obviously extremely nervous. I chatted to some people here and there. And I left the arena some half hour later. The first thing I did was to call my wife Paula (for whom, by the way, I wrote “The One” in typical Macca fashion). She was anxiously waiting for my update. After all… even minutes before the ceremony started I wasn’t sure that Paul was going to turn up at all. For any possible reason. Busy schedule to begin with (to say the least). But, as a dedicated follower I was well aware that his U.S. tour wasn’t going to start over again until two days later. In Minneapolis. Two days? Is that really enough. I mean he’s 72… but in theory it should be possible. But still. And only recently he had to cancel a few shows in Japan due to some mysterious virus. But that whole incident had blown over luckily. And I had seen in the papers Paul was back on track even enjoying a nice vacation in Ibiza with his beautiful wife Nancy. But even the smallest flu could have stopped him from attending. Or whatever… I don’t know. I just couldn’t fully count on being in the same room this day. But, as you can see, he was… and very much so!
Paula could clearly hear over the phone back in Spain how shaken I was and how taken I was by the experience. I was truly moved. My voice even cracking up from time to time when I was trying to tell her that… “Yes… it worked!”. Mission accomplished! She shared the excitement with me because as anyone who knows me… and she knows me best… she knows what it meant to me. And so did more than five hundred(!) friends and followers on Facebook on my artist page. (Feel free to check out the more than one hundred comments (and my response to each and everyone of them) in my post from this day. I am truly, deeply thankful for all the supporting comments I’ve received there!
So after that I was on a “high” that still is lasting. It just felt logical the day after to take a guided tour to the childhood homes of John and Paul. Enormously interesting and so well executed and presented with so much personality, love and respect by Colin and Sylvia Hall of the National Trust. They really made those young days of the ”lads that shook the world” (to use one of the old clichés) come alive. As I was walking through his house, playing (as always when I see a piano) “Lady Madonna”, walking through the rooms where John and Paul rehearsed and wrote their first hits. I was thinking. I met him. Yesterday!!! And all my troubles seemed very far away…
At Paul’s childhood home at 20 Forthlin Road, Liverpool.
Just like that. Out of the blue! While you’re all out there lazing on all the sunny afternoons I am delighted to bring you a little surprise from the David Myhr record label head quarters at Lojinx, England. Soundshine is available as of TODAY on vinyl. Yes indeed! A real 33 1⁄3rpm microgroove vinyl record. An LP (Long Play)! Get your copy now by clicking this link: http://ljx.cc/soundshine
Up until now I’ve been watching the whole vinyl revival thing from a distance. I’ve remained a digital guy, fascinated as I am with streaming services like Spotify. Having said that, there’s a particular magic about the old LP format that not even I can resist. It obviously has a lot to do with nostalgia. As a small kid in the late 70’s and early 80’s the LP was the medium on which I discovered music (alongside the cassette). I’ll never forget when my sister-in-law Agneta borrowed me her copies of The Beatles red and blue albums. Or how I went to the local record store and bought my own copy of Paul McCartney’s then brand new Tug of war. Not to mention browsing through my brother Niklas record collection discovering David Bowie, Neil Young, Cat Stevens, and other “hip and happening” artists (as you can see I was retro even as a twelve-year-old).
In a (very) old blog post I wrote about how I miss record stores and now the time has come to admit that I also miss the smell, the sound, and above all the look of the LP format. And finally, the longing after something “real” became so strong that I decided to put some hard-earned money into making a vinyl version of Soundshine in hope there’s at least a few people out there that just like me are looking forward to opening it up in the new format, to enjoy the artwork (now bigger than ever!), read the lyrics, the never-ending thank you list, the credits, and everything on the inner sleeve. (Stuff that seems to be completely forgotten these days but which for us music nerds is half the fun). And then to put down the needle and enjoy listening to something so old-fashioned as a “Side A”, flip it over, and then “Side B”.
The two last songs will differ from the digital version. The backwards mumbo jumbo at the end of “Icy Tracks” is gone and the never-ending outro of “Ride Along” is somewhat shortened. This is due to the physical limitations of the LP format. But funnily enough I think it (if possible?) actually may increase the listening experience.
Included with the album is a digital download in case you (just like me) don’t yet have your vinyl player set up. In other words you can still enjoy the packaging and hang it on the wall alongside your Nickelback, and Michael Bolton album covers (they’re the ones you’re supposed to mention when you’re being ironic, right?).
Only now and then every few years I discover an artist that I really get to love. One of my absolute favorites from the last couple of years is the Danish artist Tim Christensen who I can’t stop talking about (for instance in this interview) how great he is and how for example his albums Honeyburst and Superior should be in everyone’s record collection. Since I’m not the shy kind of guy, obviously I “got to get him into my life” and it turns out (not surprisingly) that we share a mutual love for great music in general and The Beatles in particular. So, back in February, when the man was going to make his first apperance (ever!) in Sweden of course I volunteered as his support act. Also it became my first concert at the legendary venue Debaser Slussen in Stockholm.
Here’s a video clip from the concert where I’m playing “Wanderlust” from my album Soundshine with my backing band (to see who was in this great line-up, see the You Tube “About” field).
First Tim looks excited, then a few hours later I’m the one smiling while Tim’s thinking… this Swedish guy is really intense…
I had already met Tim Christensen once before at this UNBELIAVABLE McCartney tribute show in Copenhagen that my wife and I went to where he, Mike Viola, and Tracy Bonham with full band were playing the full RAM album on Macca’s 70th birthday (what a great way to celebrate!). I can strongly recommend the DVD (just watch this trailer and you’ll understand). Here’s an Instagram picture with Mike Viola, Tim Christensen and myself, from the party afterwards where McCartney and Beatles songs were played in the speakers for hours and hours…
Newsflash!I am very happy to announce that my song “I love the feeling” from my solo debut album Soundshine will be heard in hundreds of thousands of homes in Sweden and Norway this fall since it will be the signature tune of “Montazamis med vänner” featuring enormously popular television personality Maria Montazami.
The song will be released as a radio promo (only) single in Sweden and Norway on Oct 25th and will hopefully be accompanied by a new video clip soon.
What “a day in the life”! Recording at ABBEY ROAD STUDIOS!!!
I have always loved the Beatles. And I will surely do ’til the day I die. One of the biggest highlights in my “Beatles career” (update: THIS was bigger!!!!) was to be able to spend a day in legendary Studio 2 at Abbey Road to record an alternate version of my song “Never Mine” which is the opening track of my debut album Soundshine. Check out the video and continue reading below for full background story.
Since my first visit to London back in 1990 I have never missed the opportunity while in town to visit the famous crossing at Abbey Road. But until 2011 I had never been able to actually enter the building. It was in May when I did it for the first time since I (in a strike of megalomania) had chosen this legendary place for the mastering of Soundshine. Read more about this occasion in this blog post.
Little did I know then that the doors would open for me again only six months later, and this time to RECORD in frickin’ Studio 2!!! Yes, THAT studio…!
I wrote then; “today we’re not here to try to change music history but more to study the process of how music history was made from within the actual room were a big part of it was created. I hope to be able to share the result with you sometime in a not too distant future”. That distant future is NOW! Almost fourteen months later…! The reasons for the delay are many. One being that Thomas Juth who took the initiative (which I will be forever grateful for!) is a highly demanded sound engineer in London and therefore hasn’t been able to find the time to work on the mix from this little “hobby project” (although very close to his heart). Thomas is a really sweet (and also cool) guy who has worked with many great names and I mean GREAT(!). Read more about his impressive track record on his own home page.
However, when I was asked to be part of a free download sampler (yes that’s where you’ll find the song I’m talking about here!) released by the music blog Real Gone (who by the way made a really nice review of Soundshine here) I decided it was time to have a proper mix made. The mix is a combination of Thomas Juths ground work and Soundshine engineer Marcus Black’s fine adjustments.
I really wanted to be able to offer a video clip as well but there was no time and no money (as always…). But then Christmas came I and went to Spain with my wife to spend time with her family. And in between tapas, dinners, family life, and a gig at Festival Alta Fidelidad in Madrid, I finally found some time to take my first, stumbling steps as a video editor using Final Cut Pro X. And with the very little rough material I had from my iPhone standing on a tripod (and a couple of other cell phones in the room) I’ve tried to make a little video documenting this very special moment.
It was really a day in paradise for us Beatle geeks and we spent more than half of the precious ten hours staring at Beatles microphones and Beatles compressor and that kind of stuff. The recording became kind of secondary and something we really did “just for fun”. Considering all this I’m really happy with the final result. It’s obvious that we do not hide our love for the Beatles in the way it’s produced and played. And that’s also my reason for not releasing it on Spotify or iTunes or on CD. As much as I love the Beatles, and to play their songs, I don’t want my own stuff to be TOO Beatlesque and end up being categorized next to The Rutles.
To put even more weight into this occasion I decided to write a little piece of lyrics for this world premiere:
It was fourteen months ago today
Thomas Juth invited me to play
To try to recreate the Beatles style
was guaranteed to raise a smile
So may I introduce to you
The song you’ve known for just a year
David Myhr’s “Never Mine” in Abbey Roooooooooooaddd….
Special thanks to Thomas Juth and his brother Fredrik Juth (who played bass and drums) for inviting me to this very special occasion. Thanks also to Michael Bianco, Dyre Gormensen who were part of the recording process. And to Andrew Campbell at Lojinx who co-ordinated the Real Gone release. To Amy Campbell for shooting some nice photos (including the one above) at Abbey Road. And to Henrik Irgens and my wife Paula who also made the day even more pleasant through their sheer presence.