OK, so yesterday i gave a so called “recital lecture” at a conference called Research in Music Today 2016 (Musikforskning idag 2016) at Linnaeus University (Linnéuniversitet) in Växjö, Sweden. It was called “‘Men det här låter ju precis som…’ – Om låtskrivande efter given förlaga” which in English means “‘But this sounds just like…’ – About songwriting after given model” (or something like that…). The thing is I’m a doctoral student at the Department of Art, Communication and Education at Luleå University of Technology where I teach (see my David Myhr staff profile) and part of my training is to do stuff like this.
I talk about writing after “briefs” and give examples from my own artistic practice from writing for other artists (including Puffy), jingles for commercial radio spots, and writing for movie soundtracks including my future single (fall of 2016?) “Spellbound” which is written in the style of E.L.O.(!). (As you blog followers know I’m a big E.L.O. fan!!!)
The presentation is in Swedish so I’m afraid those who don’t understand Swedish may have a hard time understanding since it’s in… yes, that’s right… Swedish… but one day I’m sure I’ll do something similar in English! Or maybe Spanish…?
I must say the whole thing was a positive experience and I had lots of fun hanging out with music researchers from all over Sweden and it turned out Växjö was a really groovy town. Not least because of Kafé De Luxe which was a great place to hang out. And “of course” I took over the piano for a while and did my living Beatles jukebox thing… and the people of Växjö were shall we say…. “flabbergasted”…?
My wife, Paula, always complains that I have too many jobs. And she’s right (as usual!). Aside from being the “celebrated” (by myself that is…) artist and songwriter that I am, my day job – or shall we call it “real job” – is being a senior lecturer at a university teaching songwriting, music production and doing research (see my staff profile here). As if these two “careers” wasn’t enough I’m also writing and producing music for commercial jingles (like for instance this one for Folkia) and occasionally I play the role of ”Benny” in the the ABBA tribute band Super Trouper (more on that here).
This month I can now proudly add “writer” to the list. I’ve been asked to contribute with a series of articles about the art of songwriting for the excellent Swedish music production magazine “STUDIO”. Those of you who follow my blog might remember it’s the same publication that made a three hour video documentary with me last spring about the making of “Never Mine” from Soundshine.
I said yes (surprisingly encouraged by Paula!) since it’s a subject I am very passionate about. And the first article in the series is OUT NOW and can be bought in your Swedish newspaper stand or as a pdf file here.
I strongly urge anyone interested in songwriting and music production to support this (and other) specialized magazine in today’s tough world for intellectual property where everything’s suddenly supposed to be free. Maybe not so much for my own article (although I’d appreciate it). It’s more of a “recommended mindset” just because I think we all need good journalism in our respective trades covering our areas of interests. I love reading about other songwriters and producers and how they work with their craft and how their studios are equipped etc. Nerd fun!
The theme of my first article is “magic melodies” (he said humbly) and I’m trying to give some ideas as to what makes a melody “simple and singable”. It’s four pages long and in Swedish (sorry Paul McCartney!). But for those of you who speak Swedish – hope you enjoy! Would love to hear your opinion in the comments below or on my Facebook Page.