Newsflash! It seems that Swedish media finally have “discovered” Soundshine! In the new issue of “Studio” (4-2013) which is a music magazine specializing in recording and music production (and that I’m an avid reader of myself) you will find a three hour(!) long “mix video” featuring myself talking about the writing, recording, and production of my song “Never Mine” which as many of you know is the opening track of my solo debut album Soundshine. (Feel free to have a listen on the Spotify player to the right!).
The magazine says (kindly) that Soundshine is a “fantastic solo debut” and that it’s “sprängfyllt med gnistrande poppärlor” which would be something like “filled to the brim with glimmering pop pearls”. Don’t know if that works in English though… Should anyone (except for me) be on the look for nice praise over the album in “real” English you can also check out Hooks and Harmony who named Soundshine the album of the year (followed by interview here).
In the STUDIO interview I talk about how the idea for the verse melody came to me already back in 2006 and how I reworked it over a two year to period until I finally was happy with it and how the song was put on hold while The Merrymakers were still active (or should we say inactive?) as a band but became an obvious choice for me to include on my album once I was a solo artist. By then it was up to no one but me to decide whether my songs were good enough or not – and guess if they were! (Insert laughter here…)
I also discuss at length about the choice of co-producer (and drummer) Andreas Dahlbäck, session musicians Anders Petterson, Rikard Lidhamn and more, and you will see unique video clips from the recording, how the drums were miked etc. Above all the mix video contains a detailed run-through on-screen insight into my Logic (recording software) project. There you will see which instruments are part of the arrangement and how they were recorded and treated from a production perspective.
Also, in the last part of video you get to meet Marcus Black who mixed the whole album where he discusses his approach to mixing in general and to the mix of “Never Mine” in detail (with an on-screen run-through of his Pro Tools project). At the very end we talk a little bit about the mastering at Abbey Road and you will be invited to see the mastering room of senior engineer Steve Rooke who apart from my album has worked with among many, many other artists Paul McCartney and George Harrison. Not to mention the recent re-mastering of The Beatles themselves.
The magazine also features an article about myself and the recording of Soundshine. So if you are in Sweden (or know Swedish) and you are interested in the above I hope you find your way to the magazine store this month. Or if you’re living the modern digital life you can buy it as a pdf here.
UPDATE: As en Easter egg STUDIO magazine is offering the video link for free! Just click the picture below to get access to the three hour video (in eight parts). Remember to click the HD symbol so it becomes grey (not white) in order to get high quality.
A million big humble thanks to chief editor Mats Stålbröst and business manager Andreas Hedberg at STUDIO for showing an interest in my music and sharing it with their readers.
Please let me know what you think about the article in the comment section below or at my Facebook Page.
What “a day in the life”! Recording at ABBEY ROAD STUDIOS!!!
I have always loved the Beatles. And I will surely do ’til the day I die. One of the biggest highlights in my “Beatles career” was to be able to spend a day in legendary Studio 2 at Abbey Road to record an alternate version of my song “Never Mine” which is the opening track of my debut album Soundshine. Check out the video and continue reading below for full background story.
Since my first visit to London back in 1990 I have never missed the opportunity while in town to visit the famous crossing at Abbey Road. But until 2011 I had never been able to actually enter the building. It was in May when I did it for the first time since I (in a strike of megalomania) had chosen this legendary place for the mastering of Soundshine. Read more about this occasion in this blog post.
Little did I know then that the doors would open for me again only six months later, and this time to RECORD in frickin’ Studio 2!!! Yes, THAT studio…!
I wrote then; “today we’re not here to try to change music history but more to study the process of how music history was made from within the actual room were a big part of it was created. I hope to be able to share the result with you sometime in a not too distant future”. That distant future is NOW! Almost fourteen months later…! The reasons for the delay are many. One being that Thomas Juth who took the initiative (which I will be forever grateful for!) is a highly demanded sound engineer in London and therefore hasn’t been able to find the time to work on the mix from this little “hobby project” (although very close to his heart). Thomas is a really sweet (and also cool) guy who has worked with many great names and I mean GREAT(!). Read more about his impressive track record on his own home page.
However, when I was asked to be part of a free download sampler (yes that’s where you’ll find the song I’m talking about here!) released by the music blog Real Gone (who by the way made a really nice review of Soundshine here) I decided it was time to have a proper mix made. The mix is a combination of Thomas Juths ground work and Soundshine engineer Marcus Black’s fine adjustments.
I really wanted to be able to offer a video clip as well but there was no time and no money (as always…). But then Christmas came I and went to Spain with my wife to spend time with her family. And in between tapas, dinners, family life, and a gig at Festival Alta Fidelidad in Madrid, I finally found some time to take my first, stumbling steps as a video editor using Final Cut Pro X. And with the very little rough material I had from my iPhone standing on a tripod (and a couple of other cell phones in the room) I’ve tried to make a little video documenting this very special moment.
It was really a day in paradise for us Beatle geeks and we spent more than half of the precious ten hours staring at Beatles microphones and Beatles compressor and that kind of stuff. The recording became kind of secondary and something we really did “just for fun”. Considering all this I’m really happy with the final result. It’s obvious that we do not hide our love for the Beatles in the way it’s produced and played. And that’s also my reason for not releasing it on Spotify or iTunes or on CD. As much as I love the Beatles, and to play their songs, I don’t want my own stuff to be TOO Beatlesque and end up being categorized next to The Rutles.
To put even more weight into this occasion I decided to write a little piece of lyrics for this world premiere:
It was fourteen months ago today
Thomas Juth invited me to play
To try to recreate the Beatles style
was guaranteed to raise a smile
So may I introduce to you
The song you’ve known for just a year
David Myhr’s “Never Mine” in Abbey Roooooooooooaddd….
Special thanks to Thomas Juth and his brother Fredrik Juth (who played bass and drums) for inviting me to this very special occasion. Thanks also to Michael Bianco, Dyre Gormensen who were part of the recording process. And to Andrew Campbell at Lojinx who co-ordinated the Real Gone release. To Amy Campbell for shooting some nice photos (including the one above) at Abbey Road. And to Henrik Irgens and my wife Paula who also made the day even more pleasant through their sheer presence.
Starting of in Vaasa on Feb 10 at O’Malley’s acting as a “living Beatles jukebox” which is a side project I sometimes entertain myself (and hopefully the audience as well) with. The concept is I enter the stage where there’s an acoustic guitar, an electric guitar, and a piano – and I ask the audience: “-What do yo wanna hear?”. Then they can shout whatever Beatles title they want. And off I go – singing and banging out the song on whatever instrument I find suitable. A fun concept with many possible twists and turns in the repertoire. I never know what to expect. It can start with “Sexy Sadie” and end up with “Hey Bulldog”. Or (more likely) start off with “All my loving” and end up with “Hey Jude”. All depending on the “level” and mood of the attending crowd….
The second Finnish show will take place in Turku on March 2 at a the cool pop club Flavour of the Month (named after The Posies great song) hosted by Pikku-Torre. This time I will go back to playing only my own stuff – both from the upcoming album Soundshine but also my old songs from my time with the Merrymakers – and I look forward to meeting the audience over there and the people behind the club and the Finnish pop site One Chord To Another who seem to have an impeccable taste in music. Click the picture below to come to the event page:
Finland for me is quite exotic although I do have a special bond to the country since my father grew up in a small village called Kukkola close to the Torne river. Quoting Wikipedia: “The Finnish and Swedish sides of the river were once one cultural entity, as before 1809 they were both parts of Sweden”. As a child my father actually spoke Finnish at home and he was born with the Finnish name Suo as his last name. In the 50′s he and his brothers had their last name “translated” into Swedish and then the family name became Myhr from the Swedish word “myr”. What it means in English…? “Swamp”! How about David Swamp as my new artist name?
The last thing I have to say related to Finland for now is that you have to see the movie Steam of Life if you can get your hands on it. It’s about “Finnish men in sauna, speaking straight from the heart.”. A master piece if you ask me!
Dear followers of the development of my solo debut album Soundshine scheduled for release in the fall of 2011. Today May 27 is a somewhat historic day – at least for me and for my album! I am very happy to announce that the album will be finished later today! Exactly one year and three days after the initial recordings took place in Stockholm. As I’m writing this I’m sitting back in a sofa enjoying the finished recordings in a mastering room at nothing less than ABBEY ROAD studios! Together with Steve Rooke, senior mastering engineer here at Abbey Road and my mixing engineer Marcus Black we’re going through all the songs on the album one by one giving them the last final touch. Later we will be joined by my wife Paula who is so far the only honorary (or should I say just only?) member of my fan club.
For me as a die-hard follower of the Beatles since childhood it’s of course a very special feeling to be on the actual inside the world’s most famous studio complex. The studio where all the Beatles albums were recorded! I’ve been outside a few times before in my life. Doing the famous walk over the zebra crossing of course – but was never before allowed to actually enter until today when I am here as a client. But as always – the building is one thing – the equipment another – but in the end it’s the ears of people who has been around that you’re paying for. And to say Steve Rooke has been around is an understatement. He has been working here since 1983 and was part of the team doing the Beatles remasters that was released in 2009 and has re-mastered albums by all the four Beatles solo catalogues and has also mastered albums by many other artists from David Bowie to the Cure. So I figured – if it worked for the Beatles it should work for me as well!
Steve is tapping his foot and seem to be enjoying his working day and is giving thumbs up to both the songs and the mixes which of course is making me and Marcus proud and happy!
Abbey Road studios is still a very active commercially functioning studio and for instance today there’s going to be strings recorded for the last Harry Potter movie down in the enormous Studio 1. The same studio where the Beatles recorded “All you need is love” which was broadcasted to the world back in 1967. Marcus and I got here early today so we could enjoy a proper English breakfast in the canteen and just “by accident” we managed to sneak into both Studio 1 and Studio 2 which was the main studio for the Beatles all the way from 1962-1970. A memory that will definitely last a lunchtime!
I hope to be able to make a small video blog from this visit later that will be up on my YouTube channel but for now please enjoy a picture from the inside of mastering room no 7 at Abbey Road Studios.
Don’t forget to check back on June 1st for the premiere of my new single and video “Looking for a life”.