If you have read this previous post and this previous post you know a lot about my new single “Spellbound” which is a song I’ve written together with Jimmy Lagnefors that is featured in the Swedish feature film Flykten till Framtiden. Now it’s time to enjoy the official video!
It was made by a talented team consisting of Hans Montelius, Nikita Rönning Ledström, and Erik Sandström. The shooting took place on the famous street Sundsgatan in my former home town, Piteå, in the north of Sweden. I spent a few drunken weekends in my youth going back on forth on the sidewalks of Sundsgatan while watching the “raggare” driving back on forth on the street with their American cars, playing loud music. It was they way we knew party life before we were old enough to be let in to the local pubs and discos. Little did I know then that I was going to be cruising back and forth in a ’73 Volvo thirty years later miming to my latest single release. Some scenes were also shot in front of a green screen at the TV-studio of The School of Music in Piteå where I also teach.
It’s out on YouTube here:
And on Facebook here:
I look very much forward to your reactions on both platforms. Thumbs up or down? “Like” or “Angry face”? Share it to the world and help spread the word or keep it to yourself? All up to you of course!
Gala premiere for Flykten till Framtiden (My Future Love) where my new single “Spellbound” is featured.Posted: November 9th, 2016 | Author: David | Filed under: post | Tags: donald trump, elo, flykten till framtiden, henrik dorsin, jeff lynne, ulf malmros |
”Spellbound” – new ELO-flavoured single by David Myhr from the soundtrack for “Flykten till Framtiden” (“My Future Love”) directed by Ulf MalmrosPosted: October 14th, 2016 | Author: David | Filed under: post | Tags: elo, flykten till framtiden, henrik dorsin, jeff lynne, merrymakers, powerpop, soundtrack, swedish pop, tribute, ulf malmros |
It’s been an unusally busy week here on the blog with the news of the recent Nasvhille recordings of David Myhr’s future second album (and the US co-writing trip that preceeded it). But now on to something completely different… a brand new single from an upcoming movie and an accompanying lyric video!!!
On the 11th of November Flykten till Framtiden (English title: My Future Love) hits cinemas in Sweden. The feature-length film is directed by Ulf Malmros and Jaana Fomin and stars Henrik Dorsin, Elias Palin, Victoria Dyrstad and Johan Ulveson.
The time-travel themed narrative is partially set in 1973 and for this composer Jimmy Lagnefors was hired to create a soundtrack authentic to the period. When the director specifically requested a song that “sounds like Electric Light Orchestra” Lagnefors brought in songwriter/artist David Myhr to collaborate.
Myhr, with his background in the 90’s power pop combo The Merrymakers and, in particular, his 2012 album Soundshine (Lojinx), has demonstrated a knack for creating fresh, modern, pop music with roots firmly in the classic tradition of McCartney & Lynne. It was no surprise that Myhr jumped at the chance. (Read more about David’s relation to Jeff Lynne here).
Lagnefors and Myhr were also behind the song “Vänta inte på mig” (“Don’t wait for me”) in last year’s Swedish box office smash Micke & Veronica. With the new song ”Spellbound” the songwriting duo has managed to create “”the song that E.L.O. never made”. It features heavily in the film and plays when the credits roll.
The first interviews with David Myhr about “Spellbound” are expected soon. Follow David Myhr’s Facebook page for updates.
Here is the official video for “Spellbound”:
Lyric video for “Spellbound”.
The single “Spellbound” is released in Sweden, and the rest of Europe, on 14th of October on British indie label Lojinx. (See Lojinx own relase page here).
You can find it on Spotify and iTunes and the lyric video here (and the official video here). It is also available in the USA and the rest of the world on the same day on all digital platforms through Myhr’s self-owned label Monogram Recordings.
“Spellbound” is the first David Myhr since last year’s cover single with Elvis Costello’s “Veronica” and Secret Service’s “Oh Susie”.
If you want to get a glimpse of the movie Flykten till Framtiden, check out this trailer:
David Myhr in Nasvhille, September 2016. Photo: Andreas Dahlbäck
Only two days ago I wrote about my co-writing research trip to Los Angeles, Nashville, New York that took place in February last year. The great news is that from these fruitful sessions a bunch of NEW songs for my FUTURE SECOND ALBUM was written!!! And what’s even better – the recordings have begun!!! In Nashville! With the one and only Brad Jones as producer! In one of the eight video blogs I linked to in my last post I talked about what he has meant to me over the years. Below you can enjoy eleven more video blogs that I put on my artist Facebook page from the Nashville sessions. As well as some photos from the studio, with co-writer Bill DeMain, from social activities with old and new friends including Javier Piñol, Wyatt Funderburk, and The Wellingtons.
Here’s a video from the flight between Stockholm and Chicago on Aug 28 with me and famous Swedish reputable drummer Andreas Dahlbäck who I was fortunate enough to have with me on the first part of the trip. (He also played drums on my solo debut album Soundshine).
Once we got the Brad Jones’ studio Alex the Great Recording we started to fool around with the various instruments that were lying around:
Once we had slept off our jet-lag we had the first producer’s meeting with Brad at his home kitchen table:
Time for tuning up the instruments. Here I’m singing ”Nobody’s child” (once recorded by the Traveling Wilburys):
While setting up in the studio we put on a kettle of coffe and I was warming up the voice and getting in the the country vibe of Nasvhille by singing ”Country Dreamer” by Wings:
Later the same day we had laid our first track down. A song co-written with Linus of Hollywood called ”Lovebug”. Producer Brad Jones’ evaluation of the take is ”time for lunch”:
A little later into the recordings I finally got to pick up Brad Jones’ wonderful 1970 Gibson Les Paul Deluxe Gold Top with mini humbuckers. I was in jingle-jangle guitar power pop heaven!!!
Between takes there’s always time for more goofing around. Here with hired gun, and famous Nasvhille session musician, Pat Buchanan. Too much fun!
Here’s from one of many so called ”playbacks” in the studio. Here of a song I’ve co-written with my hero from the area of academic research within songwriting, and my assistant supervisor as well, Professor Joe Bennett. The song is called ”Egyptian Blue”.
During the weekend when Brad had to go on a tour to Colorado. As Brad put it: ”Zookeeper’s away, Monkeys will play…..”. Here’s Andreas trying out an idea on his Theremin on the iPad. With us during the weekend was my good friend Javier Piñol:
After Andreas had gone back to Sweden I was sometimes left all alone in the studio at night-time. So I took the opportuinty to try out some background vocals. Here with my new TG2 pre-amp that I had bought from Vintage King Audio:
I’m really excited with the result from these recordings and I look forward to finishing everything off during the next days, weeks, months, years…? Time will tell! Stay tuned!
On the days when I’m not active as an aspiring pop star (which are many!) I attend my day job as a senior lecturer at Musikhögskolan i Piteå (The School of Music in Piteå) under LTU (Luleå University of Technology). (See my staff profile here). It’s a job where I get the opportunity to coach young and talented songwriters, teach music business knowledge, and try to build ”bridges” between the students and professionals within the music industry. As a part of my job, I also conduct artistic research as a doctoral student where I deal with a great passion of mine – the process of making melodies.
My project is called Pop into my head – The making and shaping of melodies in popular music. To be able to take a closer look at the process I’ve documented (on video and audio) the actual moment of the making of a bunch of melodies. For this purpose, last year (February 3-18, 2015), I made a research trip to Los Angeles, Nashville, and New York where I had the great pleasure of working with some of the writers that have inspired me with their work. In L.A. I worked with Linus of Hollywood (known from the Melody & Madness tour) and Lojinx stable mate Blue. (See Facebook video blogs: Hello from L.A on a sunshiny day… and Video blogging from the car…).
After that I came to Nasvhille where I wrote with Daniel Tashian (The Silver Seas), Bill DeMain (Swan Dive), and most of all most of all with an old musical hero of mine, producer/songwriter Brad Jones. With him I co-wrote no less than four songs. We even started to record three of them in his studio Alex the great recording. (Check Facebook video blogs: Video blog update from Brad Jones’ Alex the Great…, Stuck in Brazil…, At Alex the great recording and the YouTube-clip Late night session).
After Nashville I finished the trip in New York where I wrote with Scott Klass (The Davenports), Danny Weinkauf (They Might Be Giants) (which, surprisingly, resulted in this kids song), Steve Schiltz (Long Wave, Hurricane Bells) and Young Hines (although in his case it was an on-line collaboration). (See Facebook video blogs From the streets of New York, From the SKAP apartment in New York).
The great news is that from these session a bunch of new songs for my FUTURE SECOND ALBUM was written!!! More about this (including yet another bunch of link video blogs) in a blog post coming soon!
Here’s a few pictures from the co-writing trip (including one of me and Steven Tyler of Aerosmith fame at Nashville airport, who I unfortunately didn’t get the chance to co-write with…)
Graham Nash is one of my all time favorite artists. I love his amazing (often high) vocal harmonies in the Hollies, and then later in Crosby, Stills, Nash & Young. But also his wonderful songs! “Our House” just to name one classic that easily can move me to tears. But what I love most about Graham Nash is his solo debut album “Songs for beginners” from 1971. My brother Niklas had it on vinyl and when The Merrymakers used to start coming to Stockholm in the early 90’s we always (always!) played it at every after party we ever had. And since then I’ve always come back to the record. We also included it in the booklet of “No Sleep’ til famous” as one of the ten “other compact discs that will give you guaranteed listening pleasure”. Make sure though, if you check it out on Spotify for instance that you avoid the 2008 Stereo mix. It sounds terrible to my ears. (Almost as bad as when they remixed the great albums by ZZ Top from the seventies). So just follow this link and you’ll be fine.
Anyway – I’m very excited that tonight (on Paul McCartney’s 74th birthday – my friend you know) I will get to see him live for the first time in my life. So excited that I’m preparing a pre-party at Noel’s and made a little clip of myself singing his wonderful tune “Wounded bird”. Enjoy!
So again – welcome to Stockholm Graham Nash!!! Be yourself!
OK, so yesterday i gave a so called “recital lecture” at a conference called Research in Music Today 2016 (Musikforskning idag 2016) at Linnaeus University (Linnéuniversitet) in Växjö, Sweden. It was called “‘Men det här låter ju precis som…’ – Om låtskrivande efter given förlaga” which in English means “‘But this sounds just like…’ – About songwriting after given model” (or something like that…). The thing is I’m a doctoral student at the Department of Art, Communication and Education at Luleå University of Technology where I teach (see my David Myhr staff profile) and part of my training is to do stuff like this.
I talk about writing after “briefs” and give examples from my own artistic practice from writing for other artists (including Puffy), jingles for commercial radio spots, and writing for movie soundtracks including my future single (fall of 2016?) “Spellbound” which is written in the style of E.L.O.(!). (As you blog followers know I’m a big E.L.O. fan!!!)
The presentation is in Swedish so I’m afraid those who don’t understand Swedish may have a hard time understanding since it’s in… yes, that’s right… Swedish… but one day I’m sure I’ll do something similar in English! Or maybe Spanish…?
I must say the whole thing was a positive experience and I had lots of fun hanging out with music researchers from all over Sweden and it turned out Växjö was a really groovy town. Not least because of Kafé De Luxe which was a great place to hang out. And “of course” I took over the piano for a while and did my living Beatles jukebox thing… and the people of Växjö were shall we say…. “flabbergasted”…?
OK, anyway, here’s my lecture. Please enjoy!
You may be aware about my obsession with Jeff Lynne. Not least after this wonderful memory and this somewhat tragic post. Not to mention my obsession with Tom Petty who I talked about in this post. And of course George Harrison who I sang a little tribute to here and who once played in the same band as this guy. But now it’s time to celebrate the hero of all these guys, their fellow Traveling Wilbury – Roy Orbison! He would have turned 80 years old today had he been alive! Congratulations Roy!!! On the same day as Shakespeare died by the way (but 400 years ago) but that’s another story. Anyway, I picked up my new Guild 12-string guitar and bursted out a version of “You Got It”. Enjoy!
As my old band The Merrymakers once sang: “It’s so sad. When you’re losing what you never had…”. (On Spotify here)
This is still a bit painful to talk about only hours after the fact. But I could really use some sympathy right now. Since my wife and I were in the UK anyway for this event that I talked about in the last blog post I had also signed up for the “one in a million” chance to win super exclusive tickets to Jeff Lynne’s ELO’s ”the day before the world tour premiere” show in front of an extremely small audience in Liverpool. It was so unlikely that we would win so I had kind of forgotten about it.
Imagine, then, my incredible excitement when an e-mail came saying “Congratulations – you have been successful in winning a pair of tickets to the exclusive Jeff Lynne’s ELO event today, Monday 4th April. Your name will be on the guest list on the main door.” I was kind of shaking in a way I haven’t since the day I met Paul McCartney when I realized that we could be one of a hundred lucky people watching from only metres away the full production of this first world tour in decades. The tour that we (and 49,999 others) were partly responsible (according to Jeff himself) in making happen through participating in the legendary Hyde Park come back show two years ago (see us singing along with Jeff here). I could go on forever about how Jeff Lynne, his E.L.O., as well as his productions from ”Got My Mind set on You” (George Harrison), ”Free Fallin’”, ”I won’t back down” (Tom Petty), and ”Free as a bird”, ”Real Love” (The Beatles!) among many many others has formed an enormously influential part on my own musicianship since I was a teenager.
Now, try to imaging the horror realizing that we should more or less ALREADY have jumped on the train from London to Liverpool in order to have a fighting chance to be in time for the 4 ó clock(!) showtime. Why not 5? Why not 6? Why didn’t I read my e-mail an hour earlier? WHY WASN’T IT SENT OUT A DAY IN ADVANCE? (I saw the e-mail when we had just ordered some sushi a little bit after one). In a moment of despair I called a woman at the PR agency behind the send-out in hope she would say that it would actually start an hour or two later that would make it all possible (or at least that it would still be possible to get in even an hour into the show). Instead, she only confirmed my three biggest fears. That it would start at four. That there would only be 100 people (can it get more exclusive?) in the audience and that any latecomers wouldn’t be able to get in. She could probably hear the increasing pain in my voice and she told me (only to increase the pain even more) that the first e-mail send-out had “bounced back”(wtf!!!???) and that she ”was sorry” about the late notice.
Jeff Lynne is my biggest musical hero after the Beatles (on par with Tom Petty and Jellyfish) and it would obviously have been a memory of a life-time. Did my eyes tear up when realized how close we were? Yes. Had I preferred not being contacted at all considering how it all ended? Yes. Do I hope that ANY MEMBER OF JEFF LYNNE’S TEAM OR MANAGMENT OR BOOKING AGENCY sees this, feel incredibly sorry for me, and decide to contact me in order to compensate us with a VIP experience on an upcoming show on his tour? YES!!! (Worth sending out a prayer anyway…).
Thanks everyone for reading and comforting me in these “troubled times” (as I once sang here). You can’t win them all, can you? See you some other time Jeff! Best of luck on the tour! Come to Sweden! Peace and love!