David Myhr - Soundshine

Into the great wide open – mourning concert for Tom Petty with The Virtues at Debaser Strand

Posted: December 11th, 2017 | Author: | Filed under: post | Comments

A little over two months ago, on October 2, Tom Petty left this world. Only a couple of hours after the news I wrote like this in this post on Facebook:

I can’t believe it!!! This brought me to tears. Tom Petty is no longer with us! My greatest American rock’n’roll hero! American rock at its best, but with a magic pop feel with its roots in British 60’s pop. And that voice. And those songs… For thirty years, he has been a constant companion in the soundtrack to my life and one of my true great musical inspirations. I just love him and his music so much. But not just me. Everybody loved Tom! Almost all of my musician friends do. His Traveling Wilburys friends Jeff LynneGeorge HarrisonRoy Orbison, and Bob Dylan surely did. Del Shannon and Johnny Cash, and countless more did. I mean who else than Tom Petty had half  The Beatles backing him up in a rock video (see the very end of this post)?
Speaking of his relation to The Beatles (and particulary his very close relation to George Harrison), I remember he once said:
“-I still think the Beatles [made] the best music ever, and I’m sure I’ll go to my grave thinking the same thing”.
I was hoping though that day would be another twenty or more years away. After The Beatles, together with Jellyfish, for me Tom Petty & Heartbreakers was my biggest musical inspiration. So glad I got to see him live in Sweden in -93 and -12, and with my wife Paula at The Hollwyood Bowl in -06 (when he also invited up Jeff Lynne on stage). Thank you for everything, Tom!!! Rest in peace. “You belong among the wildflowers. You belong somwhere you feel free”. 
Twenty-three days later I was invited to be one of the guest singers at a concert arranged by Debaser (Stockholm’s leading rock club) where my friends in the great band The Virtues (their Facebook-page here) were to play and where we’d all get the chance to mourn Tom Petty together. They made an absolutely fantastic performance which is supposed to have been filmed and recorded. So fingers crossed it will materilize some day in the future. Until then I am only able to share a couple of clips of when I jumped up on stage.
First, one of my all time favorite pop songs in the world ever. “American Girl”:

 It was also a great honour to sing George Harrison‘s part together with Peter Jacobsson Morén on the classic “Handle With Care”. It dawned upon me that nowadays I’m as old as Bob Dylan was when the song was released. No wonder I love “dad-rock”! Although it’s true I’ve loved it since my teens…

I like to think Tom Petty is now together somewhere with George and Roy, cracking jokes, and playing the ukulele.
Here’s a throwback to happier times when I welcomed Tom Petty to Stockholm back in 2012 by singing his song Wildflowers.
And lastly – a nostalgic throwback to the MTV years… Tom and Mike Campbell with Jeff Lynne and… half the Beatles!!!

Rest in peace, Tom. You will be missed.

The day I met Benny Andersson

Posted: December 8th, 2017 | Author: | Filed under: post | Tags: , , , , , , , , , , , | Comments

Alright folks… breaking news… I met Benny!!!

Please let me begin by apologising for the radio silence here on my news blog since the release of my ELO flavoured film song “Spellbound” which by the way turned into my career-peak (so far!) on Swedish radio. I can assure you that exciting things are in the pipeline for 2018 given that I have now finished the recordings of my second solo album (more about the recordings here). It’s about time considering my solo debut album Soundshine came out in 2012. Please register to the news-letter here on the side to stay updated! (Very few e-mails per year, I promise!).

What now causes me to break the silence (except for the fact that I’ve recently mostly been posting updates on my Facebook artist page) is the fact that I finally got to meet my life-long hero Benny Andersson of ABBA fame! It happened exactly a week ago, on Dec 1, 2017, at the12th Art of Record Production Conference, hosted by the Royal College of Music, Stockholm, Sweden.

 

 

A little over three years ago I experienced the handshake of my life. (Feel free to read my 4000 words long post about the day I met Paul McCartney). Even though it’s obviously impossible to beat, there are still a few hands I would really like to shake before I (or they) die. Now that both Tom Petty and David Bowie very sadly are out of the question (see my Petty tribute here, my Bowie tribute here) I can only wish for Jeff Lynne (read about my near-Jeff experience here). But also, of course, my Swedish heroes from the world phenomenon that is ABBA!

Whenever a Swede goes abroad we talk (proudly) of IKEA and of course ABBA. After all, they are indisputable true legends of music history in the BIG league. Loved by (almost) everybody! They sold over (unbelievable!) 400 million records worldwide and were the beginning of the Swedish music export phenomenon. As for me personally, not only did I grow up with ABBA, but they have always been present in my life one way or another. I remember hearing Waterloo on the radio as a child in the 70’s. I loved the piano outro of Chiquitita already before I became obsessed by the Beatles.  With the help of Andy Sturmer of Jellyfish as a producer, when I was in the Merrymakers, we borrowed inspiration from ABBA’s “Money Money Money” for the intro of “April’s Fool”. And through the years in the music business the ABBA stories have always been around. But most of all, ABBA has been a part of my professional life as a musician for the last 16 years. As a sideline I’m a Benny impersonator in the Swedish tribute (eight-piece) band Super Trouper which has offered hundreds of shows in Sweden and the Nordic countries. See below for a picture with me (and the other three “ABBAs”) in my wig and my platform shoes.

But years ago, I have also at a few occasions been a “Benny” stand-in in the internationally successful production ABBA The Music (later divided into The Show and The Visitors) playing together with members of the original ABBA band like Janne Schaffer, Lasse Wellander, Uffe Andersson, and Roger Palm. In this context I have toured the US (including shows at the legendary Hollywood Bowl in front of 16,000 people), Spain (World Expo in Zaragoza 2008), Cyprus, Holland, Belgium etc.

So the thought of meeting Benny has always been somewhat of a fantasy of mine. It hasn’t seem completely unlikely that it could happen one day considering we live in the same city and he’s out and about, I visit his studio every now and then, and that I know quite a few people who work with, or has worked with, him.

The first time I spotted Benny and his wife was at Malmö airport as a kid back in 1979. But I’ve also more or less bumped into him at a restaurant in Stockholm, at the Swedish Grammy awards, outside of his studio (where I’ve brought students through the years, see below). I’ve visited one of his summer houses at a party hosted by Tommy Körberg and so on. I also saw Björn and Benny salute an enormous crowd in Hyde Park in 2009. But again,  I have never got the chance to exchange a few words and shake his hand until a week ago!

It  happened on the day I was about to present a paper (“Observing melody in solo songwriting”) at the ARP conference (mentioned above) talking about methodologies from my on-going research project in the melody writing process. Benny was invited as a secret guest for a “celebrity interview”. Word got out (thanks to my assistant supervisor, friend and academic role-model Joe Bennett!) that “Benny is in the building” and I searched my way to the lobby of the Royal College of Music in Stockholm where the conference was taking place. It turned out Benny had come an hour too early and was told to come back in a while. So I thought I’d better stick around. And suddenly, the God of melodies himself walks into the building!

I recently had the honour of exchanging a couple of e-mails with Benny from my position as a senior lecturer at The School of Music at Luleå University of Technology (LTU) (see my staff profile here). LTU awarded Benny an honorary doctorate in 2012, Philosophical Faculty. So I could refer to that as my “ice breaker”, presenting myself briefly, and greeted him with a hand shake. Selfie-obsessed as I am, obviously it would be great to have a picture of this moment as well, so I asked him if he was okay with me taking a photo. He said it was no problem and jokingly asked “Shall I comb my hair?”. I answered that we looked great and took the picture. See my Facebook post here and Instagram post here.

A little later I put myself in the centre of the first row (where else?) when the “celebrity interview” took place. The interview was conducted by music researcher and former artist in his own right Göran Folkestad (who I got to know personally over a piano later in the evening singing “Oh Darling!” together after a couple of beers).
After so many years of reading about it, like for instance in this fine interview from Dagens Nyheter, or seeing it on TV (for instance in the talk show Skavlan not long ago), finally I was about to hear about melody making from Benny Andersson himself. An incredible opportunity that I feel very blessed to have experienced with my own eyes!
In the interview Benny talked about how it all began for him. How music came into his life since his father and grandfather were playing the accordion (with him playing along). His grandfather never complained about Benny’s playing and partly thanks to that eventually he got really good at it.  He also talked about how his wise mother got a piano for him and his sister back in 1956. He said: “–Once that piano came into the house. I started playing. Tried to… And since that first day I’ve been sitting at the piano, I could say, nearly every day. For 60 years. Because I like it. You know… It’s like… I have a connection… or maybe music has the connection with me.”
Folkestad started to ask very interesting questions about his compositional process. Considering my own interest in the subject, and how many times I’ve talked in my songwriting classes about Benny’s work methods (sit by the piano and work, work, work, until the ideas show up), it was almost unreal that he now not only sat there in front of me talking about just that. But also offered a demonstration on the piano!
He was saying: “–Because when I play something that I don’t ’know what it is, like in the composing process, it’s like… mostly rubbish. I can’t explain why that is. I can give you an example of how it is, but…”
Fokestad (and the audience): “–Yeah, please do!”
Benny: “–Yeah, well… Shall I?”
And since you made your way all down here in this blog post I am now very happy to be able to offer you to see exactly what I saw! Enjoy!

Filmed from the first row by myself. His highly fascinated disciple. It was kind of silly really. On the very day I’m supposed to talk about the process of melody writing Benny shows up! Talk about a humbling experience. He summed up the process in nine words: “–You have to get rid of all the rubbish!”.
And who do you think asked the first question from the audience once the interview was over? Good guess!
David Myhr: ”–OK, can I go? First row… sorry for taking the spot… First of all I want to thank you for coming and I can testify that I think you’re wrong saying you’re not an artist* because I’ve been a Benny impersonator for twenty years as a sideline and there’s a lot of head-shaking going on.”
Benny: ”–Yeah, yeah, but that was in the 60’s! I was an artist then!”**
DM: ”–But my question is, being a Beatles fan, I always read about what John did, what Paul did. They both spoke about it in separate interviews. And I’m very curious about , having read your interview in Dagens Nyheter, that you always when you compose melodies, there are never lyrics included in the process. So,  I was wondering – how did you work together in general? And if there’s a specific example it would be fantastic.”
Benny: ”–Well, do you mean during the days with ABBA?”
David: ”–Yeah, exactly”
Benny:
”–We were sitting together. I was hammering along on the piano and Björn on the guitar. And we kept on doing that until something came up. You know.  And sometimes there would be a lyric line like ”Money Money Money ” because it sits with (humming the main theme). That we tried to get rid of that actually! He wrote like three lyrics. And I said no, it’s not good. Money money… But the thing… there was a song called ”Money’, and there was a song called ‘Money Money’.  So we had to call it ‘Money Money Money’.
Yeah but we worked tightly together. Then at the time. Then that changed a bit. It actually started with ’Chess’ I think.
Since then I’ve been doing the music on my own. He always writes the lyrics. If he wants to. I always ask him first. Yeah…”
David: ”–Thank you!”
*) he actually suggested during the interview he’s just a songwriter/arranger/producer and together with ABBA live a ”backing musician” and not an ”artist”
**) In the 60’s Benny was in the biggest group of Scandinavia: Hep Stars! (see Benny behind the organ here)
In the pictures below you see me with Benny’s sound engineer and “right hand” since back in the 80’s, the sound engineer wizard Bernard Löhr (who by the way we once hired to mix The Merrymakers “Spinning My Mind Away”). He made a very interesting keynote speech the same morning. You will also find a couple of pictures from Benny’s studio Rixmixningsverket , a studio which house engineer Linn Fijal has been kind enough to show me and my students from The School of Music at Luleå University of Technology a number of times. In the small picture we see how the grand piano was miked during the recording of Benny’s new (beautiful!) album Piano.
It’s a worn-out cliché to say it. But what else is there to say, so here I go: Thank you for the music, Benny!
p.s. Feel free to check out my simple and very stripped-down version of one of ABBA’s many genius melodies: “Happy New Year”