Graham Nash is one of my all time favorite artists. I love his amazing (often high) vocal harmonies in the Hollies, and then later in Crosby, Stills, Nash & Young. But also his wonderful songs! “Our House” just to name one classic that easily can move me to tears. But what I love most about Graham Nash is his solo debut album “Songs for beginners” from 1971. My brother Niklas had it on vinyl and when The Merrymakers used to start coming to Stockholm in the early 90’s we always (always!) played it at every after party we ever had. And since then I’ve always come back to the record. We also included it in the booklet of “No Sleep’ til famous” as one of the ten “other compact discs that will give you guaranteed listening pleasure”. Make sure though, if you check it out on Spotify for instance that you avoid the 2008 Stereo mix. It sounds terrible to my ears. (Almost as bad as when they remixed the great albums by ZZ Top from the seventies). So just follow this link and you’ll be fine.
OK, so yesterday i gave a so called “recital lecture” at a conference called Research in Music Today 2016 (Musikforskning idag 2016) at Linnaeus University (Linnéuniversitet) in Växjö, Sweden. It was called “‘Men det här låter ju precis som…’ – Om låtskrivande efter given förlaga” which in English means “‘But this sounds just like…’ – About songwriting after given model” (or something like that…). The thing is I’m a doctoral student at the Department of Art, Communication and Education at Luleå University of Technology where I teach (see my David Myhr staff profile) and part of my training is to do stuff like this.
I talk about writing after “briefs” and give examples from my own artistic practice from writing for other artists (including Puffy), jingles for commercial radio spots, and writing for movie soundtracks including my future single (fall of 2016?) “Spellbound” which is written in the style of E.L.O.(!). (As you blog followers know I’m a big E.L.O. fan!!!)
The presentation is in Swedish so I’m afraid those who don’t understand Swedish may have a hard time understanding since it’s in… yes, that’s right… Swedish… but one day I’m sure I’ll do something similar in English! Or maybe Spanish…?
I must say the whole thing was a positive experience and I had lots of fun hanging out with music researchers from all over Sweden and it turned out Växjö was a really groovy town. Not least because of Kafé De Luxe which was a great place to hang out. And “of course” I took over the piano for a while and did my living Beatles jukebox thing… and the people of Växjö were shall we say…. “flabbergasted”…?